Modelling Perspectives
– Rapid model making
– Co-created perceptual data
– Social science analysis
Working with small groups of four or five in an outdoor setting, I encourage participants to explore the immediate area. Using found materials to represent what they see and feel, they create a mini-landscape in a glass tank. As the task progresses, facilitators ask open questions and discuss the process of construction, then participants write just one or two words on glass slides, placing them in their mini-landscapes. In the closing stages of this ‘sensory ethnography’, the groups come together to share each other’s work, which is documented visually and through transcription.
Coral Communities: West Indian Ocean
As part of the Coral Communities project, myself and the interdisciplinary team piloted this visual method in Mauritius to address the resilience of communities in the face of coral reef degradation. Glass tanks were commissioned so that participants could create 3D mini-coastscapes inside them, using materials from the marine environment. The activity enabled communities to find a voice and communicate how they felt about their own changing landscape, and they were encouraged to record their work using video and photography.
“The video, photographs, and the making are about perspective taking, but also understanding each other’s perspectives and building empathy.”
Louisa Evans, Senior Lecturer Environment and Sustainability, Exeter University:
Tagscape: Leverhulme Trust Artist in Residence Grant, University of Plymouth
This project, using glass tanks to model mini-landscapes, came to fruition during my time as a Leverhulme artist-in-residence with Dr John Martin and the University of Plymouth. The aim was to co-develop the project with different stakeholders, and I have since co-run workshops with Dr Martin in many settings. The work, currently in publication, is used in a range of environments with various organisations and networks, including the project Ruritage. Video and photography have become integral to the method so perceptual data, including visual data, is captured. Social science analysis of the work is also taking place.
“As our group collaborated to create our miniature landscape, we used our bodies and verbal language; our miniature landscapes expanded our gestural and verbal communications into inscriptions.”
Lili Raygoza, Culture and Performance masters student, UCLA